2023 – Half Way There Games Tally

Can it be July?! As I try not to look at the Free League games sale on their store, I have opportunity to reflect on where I have got to with 2023 games. With both the D&D campaigns ending during the first part of the year, the numbers are looking a little different this time around.

Scores as at the 3rd July

I’ve slipped TavernCon into the first half of the year, which isn’t entirely accurate, bolstering the numbers by a couple after a slow start in early 2023. Some scheduling problems and then an intergenum as games ended and then others started, stalled the flow a little, but 47 is a good number of sessions, and a good platform for me to average two a week by the end of the year.

As ever, conventions provide an injection of quantity, quality and variety. Traveller is the standout game for the first half, with my most regularly played game being one offered by the Dungeon Muser on his YouTube channel. Go Canada! Some of my own Cepheus Deluxe is lobbed into that slice. I’m hopeful, even with a busy holiday season ahead, that the Conan 2D20 will mushroom out to 15 sessions or so. Hjältarnas Tid has had a couple of outings and, perhaps against logic, is one that I hope becomes a regular at my table on Role VTT. The more I play it, the more I like it, so perhaps my 1980s BRP kick has found a new revitalising expression? I will need some more translations of spells and magic traditions to get me fully rounded for a longer form game.

The second half will be fab. I have high hopes of playing some more games on the Dungeon Muser’s channel and, with a fair wind, I will set up a new game to GM from late July. The front runner is Cypher’s Diamond Throne, running in Foundry VTT. This might be me having a go at going ‘pro’… I’m also likely to enjoy playing some games with my Wednesday online mates, and I’ll play whatever is offered. Some Dragonbane with the family and at Patriot Games are both likely.

There are few regrets. It’s a shame that Thursdays seem to have imploded. Such is the way of things though, and other things will bloom around the people who were involved. I regret not pushing through with Infinity, stymied due to scheduling difficulties. I think we had the makings of a good game there, and it was really nice to play with the group.

The systems may have changed this year, but the enjoyment is a constant. Thanks to all that have joined me on the journey, and have joined the conventions and played some games.

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Shadow of the Sorcerer – Session #2

With a Session 0/1 under our belts, and some intriguing characters needing adventure, our Conan 2D20 RPG mini-campaign got properly underway last night. Our heroes, of appropriately loose character, are off to steal a jewel artefact from the house of a noted scholar in Argos. Their patron, the outstandingly wealthy merchant Publio, doesn’t want any embarrassing complications with the city authorities. It’s a simple in, grab and out job, though of course they are never that simple.

Tom’s awesome widescreen monitor
I was looking forward to getting some proper use out of Foundry VTT on Forge hosting and using the LiveKit extension for audio video feeds. Foundry is a much more complex VTT than Role, designed as a heavyweight map and token style interface in the Roll20 and Fantsy Grounds mould. I find running games on it highly intuitive and straightforward, able to leverage a lot of the features without much cognitive load, leaving me to enjoy the interplay and fun.
In a way, the same can be said for the Conan 2D20 system. It’s a medium crunch take on the system, with plenty going on as players call out their awesome Talents, and we juggle witht he up-front meta currencies. And yet the game flows very well and certainly lots of fun in play.
Ransacking…

With Dom, Paul, Alex and Tom engaging throughout, we had a fun first full session of play. The characters are gelling and forming some great teamwork, the mechanics are enhancing play, generating successes, failures and complications that spark new avenues and dialogue.

The picture to the right captures the moment the company find the study in the scholar’s house, and close to the moment we had to wrap up until next time.
It’s great that the group have managed ot stay together after the epic Curse of Strahd 5e campaign, and I’m lucky to have such great roleplayers, making the game so good.
I’m determined to keep the game to a tight timetable, availability allowing, so that we can enjoy, but then move onto our next game. We all seem to like 2D20 a great deal! I’ll post some more as this short campaign continues, though they won’t be full after action reports, to keep them spoiler light. 
Fun gaming times!
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It’s a beautiful bridge and it is going to be there…

Sometimes you have to dig deep, grit your teeth, clutch tightly to the inside of the turret, and trust your comrades to left and right as you hold the line against the bellowing thrashes of monstrous Internet trolls. Sometimes you look for a friendly charge from your flanks to help ease the pressure, but it rarely comes.

Regardless as to how clear, positive and constructive you might be, however much you appeal to a sense of support as progress is finally being made, the trolls, armed with a vicious and uncaring sense of entitlement, will rain poorly aimed blows upon you, twist your words, and ask for the unreasonable.

Ah well, that’s TTRPG publishing for you.

By coincidence, I think, I’m reading Jim Fallon’s The Psychopath Inside: A Neuroscientist’s Personal Journey into the Dark Side of the Brain. Perhaps, somewhere in the dulled function in certain parts of the frontal and temporal lobes, I will gain some insights, if not respite.

Oddball : “Why don’t you knock it off with them negative waves? Why don’t you dig how beautiful it is out here? Why don’t you say something righteous and hopeful for a change?”

Sorry folks, a dark one. I won’t be able to pull myself out of the line for a while, so will just need to find some strategies to keep going. Writing this has helped a bit. 

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Aldland of the Kall

 I’m hoping to run a simple scenario from Burning Light Press,  ‘A Royal Treat’. at conventions during this year, using Hjältarnas Tid instead of D&D5e. It’s a simple enough tale, with some nice pressured interactions and a fun moral decision point. The encounters are very tailorable with only thre that are critical to the narrative, so some clock watching will ensure  keep to good time for my players. I hope I actually get some players!

I’ve found the process of converting any F20 across to a more BRP style game pretty straightforward, if vigilant for the different way the characters can cope with waves of combat. As it is Hjältarnas Tid characters are a little more robust than standard BRP and have access to regenerative resources to keep them upright.

A mock-up of a fantasy English translation of Hjältarnas Tid

Although not strictly necessary, I thought I’d generate some home brew setting to provide some game context.

Aldland, the eastern Kallish Kingdom

Aldland is the easternmost holding of the Kallish folk of mid Kallahn, a traditional kingdom and slightly conservative in their ways. Their eastern border was the old Tarria imperial road that runs south from the Golden Road that snakes its way across the heart of the Kallahn lands, down to the great sea. Aldland itself is faltering and broken under a series of battles with the surging Kestolian Empire. A tumultuous backdrop that I hope to do somethng with some possible published works in the future.

For now, it is just some tablemat bling, with an A1 PVC print coming from Pixel2Print. The image will give a sense of place and I can improvise some scene setting if the time and mood would benefit.

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North Star Convention 2023

Top Science Fiction #ttrpg action over the weekend at The Garison Hotel, with a great family of gamers.

Cortex Prime, New Eden.  Paul Mitchener’s excellent GMing provided a great setup and the right hooks to propel us players to some rolepay and problem solving. Thank you for allowing me to go wild with psychohistory and long term societal integration as the right solution. You have re-affirmed my faith in AI as being the equal or better of humans, and that logic and evidence are crucial in decision making. A masterclass in preparing a few sides of notes, and shaping it into a memorable and involved roleplay experience. Cortex Prime is a good fun game, and Paul seems to have pulled just the right tools out of the toolbox. We had a blast!

Traveller, The Dewclaw cuts. Tom Zunder ran an excellent game. Here are some of the reasons I think it went so well. Good light and approachable exposition to the setting, coalescing a lot into an engaging little, with some wry and cheeky humour. A ‘fun first’ demeanour and much levity to the interactions (players were on board and helped). The right level of complexity in terms of plot – Tom didn’t overstuff it. Traveller is fairly rules light, but with some rabbit holes if not careful. The rules were expertly kept to a manageable amount and although not ‘front and centre’ provided some meaningful game to interpret outcomes. Lots of attractive and engaging Bling! Good spotlight switching was in evidence so that everyone had opportunities.

My table in the midst of action

Traveller, Tellerian Repo. Me as Referee. I really enjoyed the outing into a sandbox. The players could approach the target system in any way, and I would manage the timeline accordingly. Critical hit on the adversarial corsair ship!

We had some bling out on the table, particularly a nice image representation of the Zelos system, a starfield mat, some starship cards and character standees. Altogether a welcoming and informative table for play.

It was good to push the ‘right a situation with moving parts’ rather than a tightly crafted plot. The looser structure allowed for maximum creativity for the players and I could just react to what they decided. I could have brought the NPCs a little to the fore if I had felt it would have added, but maybe I’ll try that more next time.

The game was slightly on the short side, and I reflect that my online gaming habits of runing 2.5 hour gaming sessions maxiumum seems to have rubbed off on my one shot convention offerings. I don’t see ay way that I’d ever get to 4 hours. I may need to stuff my games with moar! 

May write it up as another adventure out in the Hinterspace setting.

Those Dark Places, Gamma-Sigma 12. Debbie ran a typically excellent game full of danger, horror and laughs. The system is new to me and certainly on the light end of the spectrum. It has enough to underpin the action and escalate the feeling of panic and despair. We actually managed to get away with both objectves complete. Not sure about our medic though, it may not end well for him. Hoorah!

Myriad Song, The Lost Chord. Simon ran a very well constructed scenario and allowed us to experience a quite rare game. The system is good fun and seems quite smooth. I’ll need to look out my PDF copy again and check it out. Bizarrely, unless I am having some kind of psychic episode, I remembered every last detail of the scenario. I simply must have played it before, even though Simon says he has never run it. Like, er, wow man.

We are running the convention again next year and looking to grow the numbers. Watch the spacelanes for more information!

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Setting for Age of Heroes

With the ‘Age of Heroes‘ rules now under my belt, it is perhaps time to consider setting and adventure. With the assumption that we are looking at High Fantasy in the KSR style, it leaves wide vistas of places to explore the game in actual play. I may dither, but a slightly co-creative process in my original homebrew world of the mid 1980s might prove to be a suitable place.

Lands of the Kall

I had wondered about a game set in the Nordlands of Morgluhm, amongst the wild haunted moors, fierce traditions and the isolated villages, points of light in the mists. Alternatively, out in the borderlands of Esthald, eastern kingdom of the Kallish. There, our company would adventure in broken Aldland, a lost Kall territory that has succumbed to the armies of the rising Kestolian empire and their blood magics.

I may have mentioned the map in previous posts. It is an uplift from the hex paper and crayon original, using Wonderdraft mapping software. Perhaps it’s time to return to a world that has seen rules such as C&S 2e, GURPS 3e, Stormbringer based BRP, and probably more. Age of Heroes feels like a good fit too.

To maximise potential, the game needs to be available in a VTT, so I have created an Age of Heroes Room in the Role VTT, with character and other support sheets.

Map loaded into Role with blank character sheet ready

I’m not sure what I’m doing on the webcam. And, finally, some quest/exploration style adventures will get the game on its way. ‘Treasures of Aldland’.

This probably needs to happen.

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Klassiskt Svenskt Rollspel – KSR

Still bamboozled by OSR? Well, that’s alright, because you can leave that behind you and take up the standard for KSR! What is ‘Classic Swedish Roleplay’ and why does it have such a grip on me? 

Let’s start with Anders Blixt, a key author of many Swedish roleplaying games, particularly in the 80s. He outlined his take on KSR in the early pages of his new TTRPG Expert Nova.

To quote/paraphrase:

  • Skills Rule!: d100 or 1d20 equal to or less than resolution at the core of the game. Character ‘levels’ are not used.
  • Medium Powered Adventurers: characters do not power scale like D&D, and hit points tend to stay close to the initial score. Combat is deadly and needs ot be taken seriously. No nuclear magic (or tech).
  • Brains before brawn: social interactions generally pay off
  • Genre-emulating settings: The selected genre defines the setting, with open ended adventures, with plenty of problem solving. Milieus with broad vistas and flexibility for the games master.

My recent daliance with Hjältarnas tid confirms that it is placed deep in the heart of KSR. The Swedes themselves will argue on the terminology, and its applicability beyond a narrow strata of locally produced RPGs. It’s a delight to see the tensions of terminology systematisation apply to KSR as much as OSR.

I think Anders’ simple categorisation pretty much nails it. The KSR term has been described by RPG fan Whilpers. Here are some quoted sections of his presentation:

There are no rules for what constitutes KSR, but there are guidelines. Not everyone will agree on what is KSR and what isn’t, that’s natural.

KSR describes both rules and a style of play

Rules

  • The game has simple rules. Probably the whole game fits into a book of 50-100 pages.
  • It is easy to determine one’s chance of succeeding with an action, and the decision comes from dice rolls, preferably percentage rolls from BRP.
  • Pool systems and freeform are not KSR.

Play style

  • The genre is the gaming world. In order to start, the players do not need to study the game world. It is enough to get an explanation in a few words.
  • The game is played in the form of adventures, prepared stories that should resemble stories in books or movies. The game manager fights against a game system that is actually quite unsuitable for the task in order to achieve that goal.
  • The game leader is faced with the question of whether it is OK to “cheat” in order not to ruin the adventure.

KSR does not have to be Swedish

KSR doesn’t really say anything about what language the game is written in.

“Swedish” is included in the name to distinguish it from classic RPGs in general, which for the rest of the world are probably early versions of D&D. Games in that style are already referred to by the by now well established term OSR.

OSR stands for Old School Revival/Renaissance/Revolution, depending on who you ask, playing RPGs like you did when you played D&D in the late 70’s and possibly early 80’s.

Classic Swedish Roleplaying here means the own games similar to those that Áventyrsspel released in the period 1984-1990. Adventure games completely dominated the scene for a decade, so for old Swedish roleplayers, “classic” is probably their products, and not D&D.

Adventure Games also released quite a few more or less direct translations of English-language games, eg Star Wars and The Lord of the Rings Roleplaying Game (MERP), which I don’t consider KSR, based on their rules engines, not their original languages.

Depending on how purist you wish to be, then I would say that Free League’s new Dragonbane is fundamentally KSR, cleaving to a style of the 80s and 90s, albeit with a fresh sprinkling of modern design. It is Drakkar och Demoner after all.

Why do I gravitate to KSR, even after huge dollops of thoroughly enjoyable D&D 4th Edition, stuffed with rich, high fantasy, fullness? In part, it will be the heady nostalgia of the 80s and 90s, where BRP, or Stormbringer centred systems, were a deep well of fertile exploration and game development. I’m essentially a traditional roleplayer, with more than a swathe of narrativist applications. The simple simulationism of KSR appeals deeply, along with the brevity of ruleset that goes with it. Rulebooks that encompass the game at 130 pages or less? Thank you. Er, and the approachable bite size supplements that expand on the base game too. And the adventures, and…

I think my KSR allegiance runs a touch deeper than the simple and intuitive d100% roll under skill systems, though that takes me a long way. Lower powered characters, who are yet heroes, and where combat is continuously dangerous (if carefully manageable through subsystems and playstyle) due to the inherent rulesystem, rather than the ascneding ‘level bubble’ is important to me. Perhaps both approaches achieve the same thing, but KSR does it with a lot less fuss.

Evocatively drawn game worlds that can be explored quickly, principally through the process of adventure also appeals, leaving the spaces needed for the group to create detail when needed to provide context at the right time.

And yet, as I step back, I see some similarities of OSR and KSR, if you take some mechanical considerations out of the equation. Fast play, deadly encounters.

I’m no hostage to any codified game banner, and yet I feel most comfortable with KSR. I might throw in some push mechanics, or sit back and enjoy the freeform traits and dice swapping of Hjältarnas tid and be happy. And, whilst I am at it, I must pick up a copy of Expert Nova.

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Hjältarnas Tid (The Age of Heroes)

My Swedish fantasies have been further extended to another light and inventive take on BRP, ‘Hjältarnas Tid‘ (The Age of Heroes). Without any translation available in English, this became my first foreign language RPG purchase. I was enamoured by the description of the BRP style game in this thread on RPG.Net.

There were a few moments, and no more, where I vascilated on the prospect of a personal translation via Google Translate. How quick would it be, how much text scraping, how comprehensible the result? Translate has a limit of 10MB and the file was likely to be larger (it was). Ah well, I would step forward and discover…

My conversion method was to open the PDF using Google Docs and then use Tools/Translate to shunt the text into English. This was a little ungainly, as I had to split the PDF to get all of this done, but in the end I had a first stab at the text, though some of it was obscured by formatting exertions in the more complex laid out pages from the source PDF. No worries, I had enough to start to look at the game itself and enjoy what I had purchased. 

I like what I have found. This revised and updated version of the game includes all the elements in the original box. At 137 pages, this was a perfect size game for me. Not too much, and indeed just enough to get to know it quickly to consider whether it will get to the table. It will. Perhaps excited by the re-emergence of Chaosium’s Big Gold Book of Basic Roleplaying, revised, reformatted and licensed for free open development for your own projects, I became, as is typical of me, sidetracked by this much earlier iteration, riven deep in the scandi tradition, with tendrils intersecting to Trudvang, Forbidden Lands and Dragonbane (at least).

Clean and charming layout and art

Hjältarnas Tid, roughly translated as ‘Age (or time) of Heroes’, has all the base core of BRP that you would expect, and as such takes me home and back to the 80s, with a core rule system that very much defined my early and formative roleplaying. The familiar d100% skills were there though with a slightly different number and lables. At 27 adventuring and 8 combat skills, we are taken to some early RPG design, with copious numbers, far higher than modernity would deem entirely wise. It’s alot less than RQ: Glorantha of course, but that’s not really saying anything.

The game may have BRP DNA, but has taken many new directions that sprice up the old faithful nicely. If you are familiar with the relatively new ‘The Troubleshooters‘ RPG then you know what this game is all about, being devloped and produced by the same designer and company. The designer feels he really got it fully right with Troubleshooters.

So, what makes this iteration of a trusted game engine so special? Here are some highlights:

  • Attributes as skills : the old 3d6 set of attributes are gone and replaced by skill percentages to be used in Challenges straight away. In fact the old attributes are just enmeshed in the skill listing.
  • Doubles and Blackjack : a success is just the usual roll equal or less than your skill. An outstanding successwill be a success bu the dice are doubles. A woeful failure is greater than skill and the dice are doubles. With opposed rolls, as many are, the higher successful skill roll wins.
  • Open and Closed Difficulties :  A standard skill roll is required in a ‘Challenging’ situation. If the circumstances allow, it might be an easier situation. In this case Open the roll, usually by one or two steps. If it were two steps, then if you roll and fail, but the digit die is a ‘1’ or ‘2’, then you succeed. If yet more difficult then you Close the roll. Again, say by two steps, then if you roll and succeed, but your digit die is a ‘1’ or ‘2’, then you actually still fail. No modifiers, just an interpretation of the digit die. Elegant.
  • Character Traits and Relationships : These narrative pieces of text can be expended during a game session to flip the die result, swapping the tens and units around. Useful!
  • Guard and Health : instead of just hit points, characters (and others) have Guard. This is a quickly replenished resource that encompasses momentum, luck, desire and fatigue. Damage is taken off Guard first, before slow replenishing  Health is touched. Oustanding success attacks will damage Health directly. Guard also fuels special abilities that come through Kin and Profession.
  • Debt : wizards struggle with the damage that they cause to the natural order when they cast their wrending spells. Each spell has a cost that accumulates Debt. A wizard’s threshold is equal to their Wyrd skill. If they ever transgress this total, then they become wraiths, locked in other dangerous realms, yearning to return.
  • Zones : 2d20 style zone areas define the battlefield, supporting a more ‘theatre of the mind’ approach to combat encounters.
  • Exploding damage : the game uses d100 and d6. Damage dice explode on a 6. I can hear the screams of exultation and despair already. Armour is rolled soak.
  • Opposed Rolls for Combat : Attack and Defense rolls are compared to see what the outcomes is. So, if you are defending then you don’t just want to succeed, you also want to roll as high as possible to improve your chances against the opponents attack roll.

Early days and I may only have scratched the surface. The suggested Kin are nicely written with some very different takes in places, which is always refreshing. Once I had finished several skims through the book  was pretty sure that I wanted to run this game. It would have been nice to have had some more character options and some more magic spells, but there are always compromises when you go for an approachably sized book.

Wait though. What? There are supplements…?

Yes, at the low PDF prices I did buy them. I mean you’d be daft not to, right?  Right? 

Hjältarnas Väg is a whole slew of character options, providing more kin, professions and special abilities. There’s more guidance in this short book too. Handily, the core of the relevant text from the main game has been included and spruced up to the expectations of the supplement, putting everything in one place. There’s also a new skill: ‘Craft’. Using Relationships as a further pool of Traits is also introduced in this book.

I’ve not had a lot of time to dig into the detail here, though I noted that the translation process using Google docs only required one pass for this shorter book. I’ll use this book as the base for when I get to run the game.

I know even less about Magins Väv, except to say that with more than 80 spells and a whole host of traditions, this book will handily round out magic in the game. I shall risk garnering a surfeit of Debt to understand the blasphemous knowledge locked within.

So, this all evoked my customary game tingles. An unecessary segway from more focused application of established game lines? Well, perhaps. Nevertheless I got my heart flutterings and game excitment, which is all to the good. I would like to get this game to the table, virtual or otherwise. It wouldn’t take very much to get a Role VTT sheet up and running with a full character sheet. For the physical world, I have already put together a quick character sheet in Google Docs (using the Lato font throughout), so that I can create and type out some heroes ready for some adventure. Here’s the character sheet.
Vi ses ute i vildmarken!
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The Spinward Extents

The Spinward Extents is a relatively new setting supplement for Mongoose Publishing’s Traveller. At 364 pages or more, it a is a big book covering two exciting sectors of space: Beyond and Vanguard Reaches. I mean, even the names sound cool! They are found on the fringes of Chartered Space, in the top left zone of the Third Imperium centred view of astrography. As such they are framed by the old great powers of Zhodane, Imperium, Aslan and Vargr, but also independent, awash with vibrant polities, corsairs, stange new worlds, aliens and danger!

I am hugely impressed with this book. Both sectors come with a full sector map, subsector maps with standard world profiles. Each sector has overview text to give history and context for what you will discover within. The subsctors are further detailed with some pull out worlds that receive text detail and the occasional flavour image. The combination of information gives you a grounding in which to run a game in any par tof the sector, whilst leaving plenty of room for your own creativity, because, you know, space is BIG.
There’s more though. Aliens, governments, corporations and starships are all given some airing and detail, which will enhance your gameplay no end. Seeing so many new sophonts detailed is such fun and further give s asense of place to the sectors. These are not just barren subsectors waiting for colonisation (though that happened), but instead places where sophonts were already living. Some have since developed further through Jump technology, others remain true to their home ecosystems. 

On skimming through the detail, I concluded that, as with any large setting tome, you really just need to find your corner. Build out from a start system and zone in on the information that applies to there. This approach will give you a start and dramatically focus the game. One subsector (or maybe two if polities transcend)a few new aliens and powers, so classic stories and you are off.

In amongst the highly playable detail and inspiration, I am reminded how unplayable Traveller starships become once they transcend a certain size. Whereas I accept that Traveller goes up to 11 with regard to starships, I think at above 10Kt they become, from a game perspective, the most impressive and unweildy pieces of narrative scenery. In practice all those batteries won’t be rolled in any space conflict, unless you’ve got a day free and a good recording system. But that’s fine, they can indeed sit there filling up your sensor scan results and glower at you. I’ve made up some simple, one dice throw, rules to deal with anything that big.
So, a great supplement, with an evocative slice of the Official Traveller Universe, away from the big powers but not free of their influence, and infused with the joys of the weird, the alien and the unknown. Inventive chancers wanted; see you out there! 
  

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An Emergent Beginning and a Triumphant Finale for D&D 4e

 And so, after more than two years and fifty sessions of play, my Dungeons & Dragons 4th Edition game has come to an end. What started as a planned short series of sessions to see how this edition played, it blossomed into an ongoing campaign full of great roleplay, exciting combat encounters, and an emerging backstory that culminated in a heroic great battle and the coronation of one of the player characters as a new king.

Our campaign has run throughout on the brilliant Role VTT

I have enjoyed playing 4th Edition so much! From well drawn characters and their emblematic powers, absorbing tactical combat, to Skill Challenges that provide freeform roleplaying with consequential mechanics, and great adventure material and sourcebooks, the game has everything I could need. Above all this I have been lucky to have a great group of players, who have been fully engaged in the play and brought the fun to the virtual table. What a lovely crew of people!

The Role VTT has been our constant facilitating platform. Focusing on webcams to help us feel connnected, but also with map and token tools, and increasingly more as the platform has developed during our two years of play, I recommend it wholeheartedly. It has become my VTT of choice.

This is the longest campaign that I have ever run. It has been tremendous fun throughout and I feel really lucky that all the ingredients came togetehrand worked so well. Once you have a great group of plays, anything can happen!

We may even return for a time lapsed Paragon game or three in the future.

Good gaming times. 

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